I finally saw “The Devil Wears Prada”. I kept bumping into it on HBO over the weekend, and what I saw looked good. So I finally just bought the DVD. “The Devil Wears Prada” is a great movie, and now among my all time favorites. When the movie came out last year, I had intended to see it, but never did. Although, I had read stellar reviews and heard great things, I could not find a comedy set in the high fashion world at all compelling. I was utterly wrong. It is the context more than the content that makes “The Devil Wears Prada” both hysterical and touchingly bitter sweet. Aline Brosh McKenna’s screenplay based on Lauren Weisberger’s novel is crisply written with deadly wit and style. The “Devil” is Miranda Priestly, Editor-in-Chief of fictional “Runway” magazine. Priestly is a thinly veiled characterization of Vogue Magazine’s Editor-in-Chief. Commanded by Meryl Streep, Miranda is anything but caricature. As Miranda, Streep gives her most striking performance. She is simply awesome, and so deserving of her Oscar nomination in February. I love Anne Hathaway as Andy, Miranda’s unlikely second assistant and eventual protégé. Hathaway of “The Princess Diaries” proves more than a younger Julia Robertsshe is a young Audrey Hepburn. First of all, Hathaway is classically beautiful, and has a smile that melts a room. She displays her natural smarts in her joyful presence. She has a deft light comic touch. She also has the star power to hold her own with Streep. Theirs is an amazing screen partnership. What touched me about “The Devil” is that it is a razor sharp comedy masking a touching rites of passage tale. The movie works because the context provided by Director David Frankel generates masterful performances by Streep, Hathaway, Stanley Tucci, and Emily Brunt.
Hathaway plays Andy Sachs, a young Northwestern University graduate with a journalism degree, who needs a job desperately. Through some human resources glitch Andy interviews for a second assistant position for Miranda Priestly at “Runway”. Fashion retarded Andy, does not even know who Miranda is, much less that she should fear for her life. Miranda takes a chance and hires Andy given that she is so unlike her previous girlsbeing that Andy is the “smart fat girl”. Be mindful that “fat” is in comparison to the couture starved. Miranda is merciless. I immediately liked Miranda, probably displaying my own twisted nature. However, I saw that Miranda was training Andy to be strong and survive in the shark infested world of high fashion. Hers in a strange way is ruthless compassion. This undercurrent resonates throughout. After having a horrific day, Andy fishes for sympathy from Nigel (great Stanley Tucci), Miranda’s ace Art Director, who says, ” You’re whining.” Knock it off. Andy endures unrelenting ordeal including a hilarious “Harry Potter” manuscript request. However, Andy cowboys up, and begins to gravitate to Miranda. Andy’s relations including her boyfriend Nate (charming Adrian Grenier) begin to view Andy as a sell out. Andy gives her life to her job, no longer mocks the vapid nature of the fashion industry. I think it is director Frankel and screenwriter McKenna’s point that Andy acknowledges the greatness in Miranda, and begins to aspire to that. However, the catch is that this at least for Miranda comes at a costsacrifice of her own humanity.
In a poignant limo ride scene, Miranda says to Andy, “I see a great deal of myself in you” Andy says, “I couldn’t do something like that.” Miranda points out, “You already did” She then punctuates by saying, “Everybody wants to be us.” Here Streep is killer, because it is not about vanity. It is fact, according to Miranda. In perhaps her most edgy and powerful performance Streep as Miranda is completely dominating and forceful, yet never raising her voice. She grants Miranda moments of frailty that beautifully capture what Miranda has forfeited on her rise to power. Streep can say more with a dispassionate gaze than entire pages of dialog. I think Miranda sees herself, and what she has lost in Andy. Here Hathaway brilliantly captures the embers of idealism and heart. Hathaway has radiant spirit, and her eyes speak eloquently for her. Everything about her performance is natural with an authentic charm. The rest of the cast is amazing. Stanley Tucci is wonderful as the prissy and wise Nigel. Emily Blunt masterfully balances the vulnerability and bitchiness of first assistant Emily.
It is mostly the unsaid that captivates and enthralls “The Devil Wears Prada”. Watching Streep as Miranda as she introspectively gazes, and lets out a subtle smile reminded me why I love movies. When you have the right director, writers, and actors all coming together it is like magic. “The Devil Wears Prada” is simply wonderful and amazing.
Watch the movie trailer:
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This post was previously published on IMDb.
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Photo credit: Screenshot from official trailer.
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